Cuadernos de Cultura China
\n\u4e2d\u56fd\u6587\u5316\u7b14\u8bb0\u672c<\/p><\/h1><\/div>
![](\"https:\/\/avech.org\/wp-content\/uploads\/2020\/09\/Cuaderno_Cultura_China_1_Min.png\")
<\/a><\/span><\/div><\/div><\/div>Nueve relatos sobre ratas y ratones\n[Nine stories about rats and mice]<\/h3><\/div>Many authors<\/p><\/h4><\/div>
These stories about rats and mice have been published three times with the following titles: a)\u00a0Three stories about rats and mice<\/em>;1<\/sup>\u00a0b)\u00a0Six stories about rats and mice<\/em>;2<\/sup>\u00a0and c)\u00a0Nine stories and two poems about rats and mice<\/em>.3<\/sup>\u00a0At the request and with the authorization of the translator,\u00a0Cuadernos de Cultura China\u00a0<\/em>\u4e2d\u56fd\u6587\u5316\u7b14\u8bb0\u672c, a publication attached to the Venezuelan Association for Chinese Studies (AVECH) \u59d4\u5185\u745e\u62c9\u4e2d\u56fd\u7814\u7a76\u4f1a, presents its first issue with the edition of\u00a0Nueve relatos sobre ratas y ratones\n[Nine stories about rats and mice]\u00a0<\/em>(Introduction, selection, translation from classical Chinese, and notes by Wilfredo Carrizales).<\/p>\n<\/div>1\u00a0<\/sup>Letralia, secci\u00f3n TRANSLETRALIA, Venezuela, 8 de febrero de 2020. V\u00e9ase en:\u00a0https:\/\/letralia.com\/transletralia<\/a><\/p>\n2\u00a0<\/sup>Revista digital\u00a0Evaristo Cultural<\/em>, secci\u00f3n SEDA, Argentina, 28 de febrero de 2020. V\u00e9ase en:\u00a0evaristocultural.com.ar<\/em><\/a><\/p>\n3\u00a0<\/sup>Revista digital\u00a0ALMIAR<\/em>, 109 (Madrid, marzo \u2013 abril de 2020). V\u00e9ase en:\u00a0almiar.blogspot.com<\/u><\/a><\/p>\n<\/div><\/div>More info<\/span><\/a><\/div><\/div><\/div><\/div><\/div>Las Monta\u00f1as Lejanas\n[The distant mountains]<\/h3><\/div>Jidi Majia<\/h4><\/div>Jidi Majia is our guide in this significant encounter with poetry, unparalleled because he manages to tell us with his voice the most protected part of Chinese culture. The Asociaci\u00f3n Venezolana de Estudios sobre China (AVECH) \u59d4\u5185\u745e\u62c9\u4e2d\u56fd\u7814\u7a76\u4f1a through the collection Cuadernos de Cultura China offers us the first delivery of the poetry series \u8bd7\u6b4c, with a journey to the depths of a people, a walk through its time, its mysteries, its essential gift, with transparent and pure word from one of its most representative poets: The Distant Mountains \u8fdc\u5c71 by Jidi Majia. For this occasion, we have been wonderfully accompanied by the translation made by Professor Jos\u00e9 Manuel Brice\u00f1o Guerrero in 2010, published in Venezuela by La Castalia under the title Tiempo (Time), after his trip to the land of the Chinese poet from which this translation and other texts that sought to unravel the most intimate traditions of the Yi people were born, as Jidi Majia himself shared with him some unforgettable days in these mountains so close and at the same time so different, strong and powerful, because from them are born not only mighty rivers, but also splendid words full of veiled light that knows how to preserve Poetry.<\/p>\n<\/div>
<\/div>More info<\/span><\/a><\/div><\/div><\/div>![](\"https:\/\/avech.org\/wp-content\/uploads\/2020\/09\/Cuaderno_Cultura_China_2_Min.png\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/avech.org\/wp-content\/uploads\/2020\/10\/Cuaderno_Cultura_China_3_Min.png\")
<\/a><\/span><\/div><\/div><\/div>Covid-19: Propuesta de prevenci\u00f3n y tratamiento con J\u012bng F\u0101ng\n[COVID-19: Proposal for prevention and treatment with J\u012bng F\u0101ng]<\/h3><\/div>Hu\u00e1ng Hu\u00e1ng, Y\u00e1o Y\u012bzh\u014dng, Li\u00fa J\u012bnh\u00f3ng, L\u01d0 Y\u012bm\u00edng, L\u00f9 Y\u00e0n, Zh\u0101ng Xu\u0113gu\u0101ng <\/strong>y Y\u00e1ng D\u00e0hu\u00e1<\/strong><\/p><\/h4><\/div>In March 2020, Venezuela decreed quarantine as a result of the expansion of the COVID-19 pandemic in Latin American countries. It first emerged in late 2019 in the Chinese city of Wuhan, consisting of a severe acute respiratory syndrome that brings with it coronavirus disease. In this sense, with this publication we offer a treatment that seeks to \u00abpromote the use of J\u012bng F\u0101ng in the prevention and treatment of COVID-19, based on research of ancient literature and the results of current clinical research\u00bb<\/em>, providing an intervention program of J\u012bng F\u0101ng (classic formulas in Traditional Chinese Medicine, an ancient method of treatment of medicinal herbs created around 3,000 BC) divided into four aspects: formulas for group treatment, individual, psychological and for prevention.<\/p>\n<\/div><\/div>More info<\/span><\/a><\/div><\/div><\/div><\/div><\/div>Catorce relatos sobre bueyes, toros y vacas <\/strong>[Fourteen stories about oxen, bulls, and cows]<\/strong><\/p><\/h3><\/div>Many authors<\/h4><\/div>This February 12, 2021 marks the beginning of the new Chinese lunar year, which corresponds to the second animal of the sexagesimal cycle,\u00a0the ox<\/em>, ruled by the metal element, that is,\u00a0the metal ox<\/em>, which will culminate on January 31, 2022. For this special reason, we begin 2021 with a new proposal in the\u00a0narrativa<\/em>\u00a0\u5c0f\u8bf4\u00a0colection of\u00a0Cuadernos de Cultura China<\/em>\u00a0entitled:\u00a0Catorce relatos sobre bueyes, toros y vacas\n[Fourteen stories about oxen, bulls, and cows]\u00a0<\/em>\u5173\u4e8e\u725b\u7684\u5341\u56db\u4e2a\u6545\u4e8b\u00a0<\/em>(Introduction, selection, translation from classical Chinese and notes) by the Venezuelan sinologist Wilfredo Carrizales who, for the second time, and very generously, accepted our invitation.<\/p>\n<\/div><\/div>More info<\/span><\/a><\/div><\/div><\/div>![](\"https:\/\/avech.org\/wp-content\/uploads\/2021\/02\/3D_Cuadernos_de_Cultura_China_4_min.png\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/avech.org\/wp-content\/uploads\/2021\/08\/3D-Portada-Cuadernos-de-Cultura-China-No-5-min.png\")
<\/a><\/span><\/div><\/div><\/div>Huellas del arte tradicional chino en la obra de Alirio Palacios y Francisco Hung\n[The trace or influence of traditional Chinese art in the artwork of Alirio Palacios and Francisco Hung]<\/h3><\/div>Edwin Garc\u00eda Maldonado<\/strong><\/p><\/h4><\/div>Alirio Palacios and Francisco Hung<\/em> are two Venezuelan artists of recognized national and international trajectory whose artworks had an echo of the Chinese tradition, given the link and approach of both artists to this culture during the second half of the 20th century. In this sense, we propose a descriptive and comparative study seeking to point out the trace or influence of traditional Chinese art in the graphic and pictorial artwork of the Venezuelan masters Palacios and Hung, exponents par excellence of our artistic modernity, in order to specify meeting points between their poetics.<\/p>\n<\/div><\/div>More info<\/span><\/a><\/div><\/div><\/div><\/div><\/div>La ense\u00f1anza actual del idioma chino en Venezuela\n[The Current Teaching of the Chinese Language in Venezuela]<\/strong><\/p><\/h3><\/div>Liu Ying \u5218\u9896<\/h4><\/div>By exploring the status quo on the teaching of the Chinese language, this paper seeks to evaluate the development of the Confucius Institute of the Bolivarian University of Venezuela in Caracas, analyzing the main characteristics of this project, as well as the difficulties that have arisen in such important educational work. For this purpose, we use interview methods and specialized documentation review, all of which leads us to visualize the efforts made by China and Venezuela in terms of cultural exchange as one of the vital axes of cooperation.<\/p>\n<\/div>
<\/div>More info<\/span><\/a><\/div><\/div><\/div>![](\"https:\/\/avech.org\/wp-content\/uploads\/2021\/09\/HOME-450x654-min.png\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/avech.org\/wp-content\/uploads\/2022\/01\/b.-Publicacion-475x691-1.png\")
<\/a><\/span><\/div><\/div><\/div>Escritos acerca del Tigre\n[Writings about the Tiger]<\/h3><\/div>Wilfredo Carrizales<\/strong><\/p><\/h4><\/div>From February 1, 2022 to January 21, 2023 is the Year of the Tiger(Hu Nian)<\/em>Since the Zhou Dynasty (11th century \u2013 256 B.C.) the Chinese have designated the years according to a cycle formed by sixty binary combinations (pairs with pairs and nones with nones) of the ten Celestial Trunks<\/em> (Tian Gan<\/em>) with the twelve Earthly Branches<\/em> (Di Zhi<\/em>). The first year of each Sexagesimal Cycle (Liu Shi Jia Zi<\/em>) is named with the first two characters of both series, the second year with the second characters and so on.<\/p>\n<\/div><\/div>More info<\/span><\/a><\/div><\/div><\/div><\/div><\/div>El Patrimonio Cultural Inmaterial de China\n[China's Intangible Cultural Heritage]<\/strong><\/h3><\/div>Liu Ying \u5218\u9896<\/h4><\/div>This paper takes China\u2019s Intangible Cultural Heritage as the research object, especially the intangible cultural heritage elements presented during the Beijing Winter Olympics (2022). By exploring and analyzing the related literature and based on the concept of Intangible Cultural Heritage, it can be seen that mutual understanding and knowledge in the field of Intangible Cultural Heritage is conducive to strengthening cultural exchanges and learning between China and Venezuela, and even between China and Latin America.<\/p>\n<\/div>
Many authors<\/p><\/h4><\/div>
These stories about rats and mice have been published three times with the following titles: a)\u00a0Three stories about rats and mice<\/em>;1<\/sup>\u00a0b)\u00a0Six stories about rats and mice<\/em>;2<\/sup>\u00a0and c)\u00a0Nine stories and two poems about rats and mice<\/em>.3<\/sup>\u00a0At the request and with the authorization of the translator,\u00a0Cuadernos de Cultura China\u00a0<\/em>\u4e2d\u56fd\u6587\u5316\u7b14\u8bb0\u672c, a publication attached to the Venezuelan Association for Chinese Studies (AVECH) \u59d4\u5185\u745e\u62c9\u4e2d\u56fd\u7814\u7a76\u4f1a, presents its first issue with the edition of\u00a0Nueve relatos sobre ratas y ratones\n[Nine stories about rats and mice]\u00a0<\/em>(Introduction, selection, translation from classical Chinese, and notes by Wilfredo Carrizales).<\/p>\n<\/div> 1\u00a0<\/sup>Letralia, secci\u00f3n TRANSLETRALIA, Venezuela, 8 de febrero de 2020. V\u00e9ase en:\u00a0https:\/\/letralia.com\/transletralia<\/a><\/p>\n 2\u00a0<\/sup>Revista digital\u00a0Evaristo Cultural<\/em>, secci\u00f3n SEDA, Argentina, 28 de febrero de 2020. V\u00e9ase en:\u00a0evaristocultural.com.ar<\/em><\/a><\/p>\n 3\u00a0<\/sup>Revista digital\u00a0ALMIAR<\/em>, 109 (Madrid, marzo \u2013 abril de 2020). V\u00e9ase en:\u00a0almiar.blogspot.com<\/u><\/a><\/p>\n<\/div> Jidi Majia is our guide in this significant encounter with poetry, unparalleled because he manages to tell us with his voice the most protected part of Chinese culture. The Asociaci\u00f3n Venezolana de Estudios sobre China (AVECH) \u59d4\u5185\u745e\u62c9\u4e2d\u56fd\u7814\u7a76\u4f1a through the collection Cuadernos de Cultura China offers us the first delivery of the poetry series \u8bd7\u6b4c, with a journey to the depths of a people, a walk through its time, its mysteries, its essential gift, with transparent and pure word from one of its most representative poets: The Distant Mountains \u8fdc\u5c71 by Jidi Majia. For this occasion, we have been wonderfully accompanied by the translation made by Professor Jos\u00e9 Manuel Brice\u00f1o Guerrero in 2010, published in Venezuela by La Castalia under the title Tiempo (Time), after his trip to the land of the Chinese poet from which this translation and other texts that sought to unravel the most intimate traditions of the Yi people were born, as Jidi Majia himself shared with him some unforgettable days in these mountains so close and at the same time so different, strong and powerful, because from them are born not only mighty rivers, but also splendid words full of veiled light that knows how to preserve Poetry.<\/p>\n<\/div> Hu\u00e1ng Hu\u00e1ng, Y\u00e1o Y\u012bzh\u014dng, Li\u00fa J\u012bnh\u00f3ng, L\u01d0 Y\u012bm\u00edng, L\u00f9 Y\u00e0n, Zh\u0101ng Xu\u0113gu\u0101ng <\/strong>y Y\u00e1ng D\u00e0hu\u00e1<\/strong><\/p><\/h4><\/div> In March 2020, Venezuela decreed quarantine as a result of the expansion of the COVID-19 pandemic in Latin American countries. It first emerged in late 2019 in the Chinese city of Wuhan, consisting of a severe acute respiratory syndrome that brings with it coronavirus disease. In this sense, with this publication we offer a treatment that seeks to \u00abpromote the use of J\u012bng F\u0101ng in the prevention and treatment of COVID-19, based on research of ancient literature and the results of current clinical research\u00bb<\/em>, providing an intervention program of J\u012bng F\u0101ng (classic formulas in Traditional Chinese Medicine, an ancient method of treatment of medicinal herbs created around 3,000 BC) divided into four aspects: formulas for group treatment, individual, psychological and for prevention.<\/p>\n<\/div> Catorce relatos sobre bueyes, toros y vacas <\/strong>[Fourteen stories about oxen, bulls, and cows]<\/strong><\/p><\/h3><\/div> This February 12, 2021 marks the beginning of the new Chinese lunar year, which corresponds to the second animal of the sexagesimal cycle,\u00a0the ox<\/em>, ruled by the metal element, that is,\u00a0the metal ox<\/em>, which will culminate on January 31, 2022. For this special reason, we begin 2021 with a new proposal in the\u00a0narrativa<\/em>\u00a0\u5c0f\u8bf4\u00a0colection of\u00a0Cuadernos de Cultura China<\/em>\u00a0entitled:\u00a0Catorce relatos sobre bueyes, toros y vacas\n[Fourteen stories about oxen, bulls, and cows]\u00a0<\/em>\u5173\u4e8e\u725b\u7684\u5341\u56db\u4e2a\u6545\u4e8b\u00a0<\/em>(Introduction, selection, translation from classical Chinese and notes) by the Venezuelan sinologist Wilfredo Carrizales who, for the second time, and very generously, accepted our invitation.<\/p>\n<\/div> Edwin Garc\u00eda Maldonado<\/strong><\/p><\/h4><\/div> Alirio Palacios and Francisco Hung<\/em> are two Venezuelan artists of recognized national and international trajectory whose artworks had an echo of the Chinese tradition, given the link and approach of both artists to this culture during the second half of the 20th century. In this sense, we propose a descriptive and comparative study seeking to point out the trace or influence of traditional Chinese art in the graphic and pictorial artwork of the Venezuelan masters Palacios and Hung, exponents par excellence of our artistic modernity, in order to specify meeting points between their poetics.<\/p>\n<\/div> La ense\u00f1anza actual del idioma chino en Venezuela\n[The Current Teaching of the Chinese Language in Venezuela]<\/strong><\/p><\/h3><\/div> By exploring the status quo on the teaching of the Chinese language, this paper seeks to evaluate the development of the Confucius Institute of the Bolivarian University of Venezuela in Caracas, analyzing the main characteristics of this project, as well as the difficulties that have arisen in such important educational work. For this purpose, we use interview methods and specialized documentation review, all of which leads us to visualize the efforts made by China and Venezuela in terms of cultural exchange as one of the vital axes of cooperation.<\/p>\n<\/div> Wilfredo Carrizales<\/strong><\/p><\/h4><\/div> From February 1, 2022 to January 21, 2023 is the Year of the Tiger(Hu Nian)<\/em>Since the Zhou Dynasty (11th century \u2013 256 B.C.) the Chinese have designated the years according to a cycle formed by sixty binary combinations (pairs with pairs and nones with nones) of the ten Celestial Trunks<\/em> (Tian Gan<\/em>) with the twelve Earthly Branches<\/em> (Di Zhi<\/em>). The first year of each Sexagesimal Cycle (Liu Shi Jia Zi<\/em>) is named with the first two characters of both series, the second year with the second characters and so on.<\/p>\n<\/div> This paper takes China\u2019s Intangible Cultural Heritage as the research object, especially the intangible cultural heritage elements presented during the Beijing Winter Olympics (2022). By exploring and analyzing the related literature and based on the concept of Intangible Cultural Heritage, it can be seen that mutual understanding and knowledge in the field of Intangible Cultural Heritage is conducive to strengthening cultural exchanges and learning between China and Venezuela, and even between China and Latin America.<\/p>\n<\/div>Las Monta\u00f1as Lejanas\n[The distant mountains]<\/h3><\/div>
Jidi Majia<\/h4><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Covid-19: Propuesta de prevenci\u00f3n y tratamiento con J\u012bng F\u0101ng\n[COVID-19: Proposal for prevention and treatment with J\u012bng F\u0101ng]<\/h3><\/div>
Many authors<\/h4><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Huellas del arte tradicional chino en la obra de Alirio Palacios y Francisco Hung\n[The trace or influence of traditional Chinese art in the artwork of Alirio Palacios and Francisco Hung]<\/h3><\/div>
Liu Ying \u5218\u9896<\/h4><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Escritos acerca del Tigre\n[Writings about the Tiger]<\/h3><\/div>
El Patrimonio Cultural Inmaterial de China\n[China's Intangible Cultural Heritage]<\/strong><\/h3><\/div>
Liu Ying \u5218\u9896<\/h4><\/div>
![](\"https:\/\/avech.org\/wp-content\/uploads\/2022\/07\/2.-Publicacion-475x690-1.png\")
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