Huellas del arte tradicional chino en la obra de Alirio Palacios y Francisco Hung<\/h1>\n\u963f\u5229\u91cc\u5965<\/span><\/b>\u5e15\u62c9\u897f\u5965\u65af\u548c\u5f17\u6717\u897f\u65af\u79d1<\/span><\/b>\u6d2a\u4f5c\u54c1\u4e2d\u7684\u4e2d\u56fd\u4f20\u7edf\u827a\u672f\u75d5\u8ff9<\/span><\/b><\/h1><\/h2><\/div>Edwin Garc\u00eda Maldonado<\/strong><\/h2><\/h3><\/div>Cuadernos de Cultura China<\/em>, 5\u00a0 <\/strong>(M\u00e9rida \u2013 Venezuela, 2021), pp. 1-46<\/strong><\/p>\nSerie Arte <\/strong>\u827a\u672f<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>Alirio Palacios y Francisco Hung son dos artistas venezolanos de reconocida trayectoria nacional e internacional cuyas obras tuvieron un eco de la tradici\u00f3n china, dada la vinculaci\u00f3n y acercamiento de ambos artistas hacia esta cultura durante la segunda mitad del siglo XX. En tal sentido, nos planteamos un estudio descriptivo y comparativo buscando puntualizar la huella o influencia del arte tradicional chino en la obra gr\u00e1fica y pict\u00f3rica de los maestros venezolanos Palacios y Hung, exponentes por excelencia de nuestra modernidad art\u00edstica, a fin de precisar puntos de encuentro entre sus po\u00e9ticas.<\/p>\n<\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>***<\/p><\/h3><\/div>
Alirio Palacios and Francisco Hung are two Venezuelan artists of recognized national and international trajectory whose artworks had an echo of the Chinese tradition, given the link and approach of both artists to this culture during the second half of the 20th century. In this sense, we propose a descriptive and comparative study seeking to point out the trace or influence of traditional Chinese art in the graphic and pictorial artwork of the Venezuelan masters Palacios and Hung, exponents par excellence of our artistic modernity, in order to specify meeting points between their poetics.<\/p>\n<\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/avech.org\/wp-content\/uploads\/2021\/08\/3D-Portada-Cuadernos-de-Cultura-China-No-5-min.png\" "\\"3D")
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\u963f\u5229\u91cc\u5965<\/span><\/b>\u5e15\u62c9\u897f\u5965\u65af\u548c\u5f17\u6717\u897f\u65af\u79d1<\/span><\/b>\u6d2a\u4f5c\u54c1\u4e2d\u7684\u4e2d\u56fd\u4f20\u7edf\u827a\u672f\u75d5\u8ff9<\/span><\/b><\/h1><\/h2><\/div>Edwin Garc\u00eda Maldonado<\/strong><\/h2><\/h3><\/div>Cuadernos de Cultura China<\/em>, 5\u00a0 <\/strong>(M\u00e9rida \u2013 Venezuela, 2021), pp. 1-46<\/strong><\/p>\nSerie Arte <\/strong>\u827a\u672f<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>Alirio Palacios y Francisco Hung son dos artistas venezolanos de reconocida trayectoria nacional e internacional cuyas obras tuvieron un eco de la tradici\u00f3n china, dada la vinculaci\u00f3n y acercamiento de ambos artistas hacia esta cultura durante la segunda mitad del siglo XX. En tal sentido, nos planteamos un estudio descriptivo y comparativo buscando puntualizar la huella o influencia del arte tradicional chino en la obra gr\u00e1fica y pict\u00f3rica de los maestros venezolanos Palacios y Hung, exponentes por excelencia de nuestra modernidad art\u00edstica, a fin de precisar puntos de encuentro entre sus po\u00e9ticas.<\/p>\n<\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>***<\/p><\/h3><\/div>
Alirio Palacios and Francisco Hung are two Venezuelan artists of recognized national and international trajectory whose artworks had an echo of the Chinese tradition, given the link and approach of both artists to this culture during the second half of the 20th century. In this sense, we propose a descriptive and comparative study seeking to point out the trace or influence of traditional Chinese art in the graphic and pictorial artwork of the Venezuelan masters Palacios and Hung, exponents par excellence of our artistic modernity, in order to specify meeting points between their poetics.<\/p>\n<\/div><\/div><\/div>
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Edwin Garc\u00eda Maldonado<\/strong><\/h2><\/h3><\/div>Cuadernos de Cultura China<\/em>, 5\u00a0 <\/strong>(M\u00e9rida \u2013 Venezuela, 2021), pp. 1-46<\/strong><\/p>\nSerie Arte <\/strong>\u827a\u672f<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>Alirio Palacios y Francisco Hung son dos artistas venezolanos de reconocida trayectoria nacional e internacional cuyas obras tuvieron un eco de la tradici\u00f3n china, dada la vinculaci\u00f3n y acercamiento de ambos artistas hacia esta cultura durante la segunda mitad del siglo XX. En tal sentido, nos planteamos un estudio descriptivo y comparativo buscando puntualizar la huella o influencia del arte tradicional chino en la obra gr\u00e1fica y pict\u00f3rica de los maestros venezolanos Palacios y Hung, exponentes por excelencia de nuestra modernidad art\u00edstica, a fin de precisar puntos de encuentro entre sus po\u00e9ticas.<\/p>\n<\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>***<\/p><\/h3><\/div>
Alirio Palacios and Francisco Hung are two Venezuelan artists of recognized national and international trajectory whose artworks had an echo of the Chinese tradition, given the link and approach of both artists to this culture during the second half of the 20th century. In this sense, we propose a descriptive and comparative study seeking to point out the trace or influence of traditional Chinese art in the graphic and pictorial artwork of the Venezuelan masters Palacios and Hung, exponents par excellence of our artistic modernity, in order to specify meeting points between their poetics.<\/p>\n<\/div><\/div><\/div>
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Cuadernos de Cultura China<\/em>, 5\u00a0 <\/strong>(M\u00e9rida \u2013 Venezuela, 2021), pp. 1-46<\/strong><\/p>\n Serie Arte <\/strong>\u827a\u672f<\/strong><\/p>\n<\/div><\/div><\/div> Alirio Palacios y Francisco Hung son dos artistas venezolanos de reconocida trayectoria nacional e internacional cuyas obras tuvieron un eco de la tradici\u00f3n china, dada la vinculaci\u00f3n y acercamiento de ambos artistas hacia esta cultura durante la segunda mitad del siglo XX. En tal sentido, nos planteamos un estudio descriptivo y comparativo buscando puntualizar la huella o influencia del arte tradicional chino en la obra gr\u00e1fica y pict\u00f3rica de los maestros venezolanos Palacios y Hung, exponentes por excelencia de nuestra modernidad art\u00edstica, a fin de precisar puntos de encuentro entre sus po\u00e9ticas.<\/p>\n<\/div><\/div><\/div> ***<\/p><\/h3><\/div> Alirio Palacios and Francisco Hung are two Venezuelan artists of recognized national and international trajectory whose artworks had an echo of the Chinese tradition, given the link and approach of both artists to this culture during the second half of the 20th century. In this sense, we propose a descriptive and comparative study seeking to point out the trace or influence of traditional Chinese art in the graphic and pictorial artwork of the Venezuelan masters Palacios and Hung, exponents par excellence of our artistic modernity, in order to specify meeting points between their poetics.<\/p>\n<\/div><\/div><\/div><\/span><\/div>